In TerraPort, the artist uses her body as a terraforming agent, converting Martian regolith into fertile soil for a soybean plant.
In Ex.A.R.U. breathing becomes a central, emphasized shared biochemical process between humans and plants,through a specially designed apparatus.
Rethinking the spacesuit, project frames the human as a host of interconnected species, surviving through microbial alliance in the vacuum of space.
Dyson’s Garden maps space necropolitics, exposing colonial patterns that treat non-human organisms as consumable biological protocols.